Story edit
Interviews, documentaries, ads and brand films shaped from hours of rushes into a clear arc.
Premiere ProRawscreen takes your unsorted footage and returns a finished film. Story edit, colour, sound and delivery, handled by editors who live in the timeline.

Interviews, documentaries, ads and brand films shaped from hours of rushes into a clear arc.
Premiere ProReels, Shorts and TikToks with captions, punch-ins and pacing built for the first two seconds.
9:16 / 1:1 / 16:9Matching cameras, fixing skin tones and building a look that holds from phone to cinema.
DaVinci Resolve / Rec.709Lower thirds, kinetic type, logo stings and simple graphics that match your brand.
After EffectsDialogue clean-up, music edit and a balanced mix that meets platform loudness targets.
-14 LUFS web / -23 LUFS broadcastYou send footage. We make proxies, sync audio, log selects and agree the brief before the first cut.
The full story in order, with placeholder music and no polish. You review structure, not details.
Trims, transitions, graphics and cutaways. Two feedback rounds are included, then the picture locks.
Colour, sound and final graphics are applied to the locked picture so nothing shifts afterwards.
Master file plus platform versions, subtitles and thumbnails, delivered by link.
Where the story is built. Assembly, rough cut, fine cut and multi-camera sync all happen here.
Edit / Captions / ExportMotion graphics, animated titles, logo stings and visual effects that drop straight into the edit.
Titles / Motion / VFXColour grading and finishing. Cameras are matched, looks are built and the master is graded here.
Grade / LUTs / Finish